Update: This Blog Now Redirects to the Revamped "Madam Mayo" Blog

The past few months have been taken up with various projects, among them, a batch of website and blog redesigns and overhauls. From here on out new posts apropos of the Marfa Mondays Podcasting Project, the general region of Far West Texas / Big Bend / Traspoecos, and my various works about it, will be posted at my main blog, Madam Mayo, and archived under "Texas."

One of the excellent things about having launched the migration of "Madam Mayo" from blogger to self-hosted WordPress is that I finally figured out how to make "pages," so there is a now a page devoted to all posts on Texas. 

Again, look for new posts over at Madam Mayo, category "Texas," and with tags including "Marfa" and "Big Bend."


This blog archive here on blogger will remain as is for as long as Google allows it. 

See also the main Marfa Mondays Podcasting Project page, with links to listen in anytime.


> Your comments are always welcome. Write to me here.

MARFA FOR THE PERPLEXED by Lonn Taylor, Illustrated by Avram Dumitrescu

This is a mirror post from my main blog, Madam Mayo.

If you have any interest in Marfa, grab this book, and if you have never heard of Marfa, grab this book and you will be fascinated! I have yet to grab it myself, for it is hot off the presses from the Marfa Book Company, but I have already read most of it, as I have been an avid and long-time reader of historian Lonn Taylor's "Rambling Boy" columns, many about Marfa and its denizens, for the Big Bend Sentinel.

> Taylor also reads his columns for NPR here.

Taylor is a deeply knowledgable historian-- he made a distinguished career at the Smithsonian Institution before retiring to Far West Texas-- and a most elegant writer, ever curious and clear-eyed, and one--how rare this is!-- with a gentlemanly heart bigger than the world.

As for artist Avram Dumitrescu, two of his wild-eyed chicken paintings, red-white-and-blue like the Lone Star State's flag, are hanging on the wall in my Texas Bibliothek, exuding their magic "dino energy"! Viva!

From the catalog copy:

Marfa for the Perplexed, by Lonn Taylor, is a collection of 60 essays about people and places in and around Marfa, Texas. Due to the work there of the minimalist artist Donald Judd between 1972 and his death in 1994, Marfa (population 2,000), located 200 miles from the nearest commercial airport in Texas’s isolated Big Bend region, has become an international art center and, more recently, a hip tourist destination. Marfa for the Perplexed reveals that Marfa and the surrounding country has always been a place of refuge for eccentrics and individualists, many of whom you will meet in the book’s pages. It exposes the rich mix of cultures that underlies the current Marfa art scene - the real Marfa beyond the buzz.

Marfa for the Perplexed is illustrated by Alpine, Texas artist Avram Dumitrescu. The foreword is by Marfa’s Sterry Butcher, a frequent contributor to Texas Monthly and other publications. 

I am proud to say that Taylor and Dumitrescu both granted me interviews (Taylor here, in 2015, and Dumitrescu here in 2012) for my Marfa Mondays Podcasting Project, which is apropos of my book in-progress-- despite the title of the podcast series, my book covers not only Marfa but the wider Big Bend / Trans-Pecos region, that is to say, Far West Texas.

> Lonn Taylor and Avram Dumitrescu talk about their book for Marfa Public Radio

> Your comments are always welcome. Write to me here. 

Some Postcards from the Border Circa 1916

New at my main blog, Madam Mayo, "More Postcards from the US-Mexico Border."

More anon.

Podcast 20: Raymond Caballero on Mexican Revolutionary General Pascual Orozco and Far West Texas

My latest Marfa Mondays podcast, #20, "Raymond Caballero on Mexican Revolutionary General Pascual Orozco and Far West Texas" is now live and with show notes: 

>> Listen in anytime on podomatic or on iTunes here <<

Raymond Caballero is the author of Lynching Pascual Orozco: Mexican Revolutionary Hero and Paradox, the first major biography in over 40 years of one of the most important figures of the Mexican Revolution. Caballero is also the ex-mayor of El Paso, Texas and, in his words "a recovering lawyer"-- a background that no doubt helped him unravel the conspiracy he found revealed in the one hundred year-old records of the Culberson County Courthouse, apparently intended to cover up what really happened to Pascual Orozco and his men in the High Lonesome Mountains south of Van Horn in 1915. Caballero's Lynching Pascual Orozco is an important contribution to the history of not only the Mexican Revolution, but of the state of Chihuahua and of Far West Texas. 

Quote from the interview:

"There were a lot of Mexicans very upset over the killing of Pascual Orozco... it was a huge controversy... In El Paso, in San Antonio, in Mexico City even President Carranza was asking for explanations... they wanted an investigation. So what happened was, 'whoa! We didn't kill some ordinary horse thief, we killed General Pascual Orozco, the biggest military hero of the early part of the Revolution! And what happens if the Mexicans in El Paso are able to pressure officials and they start a grand jury investigation there?' As a result of the concern that they had, the sheriff of Culberson County did something very unusual..."  

-- Raymond Caballero

Listen to the Corrido del General Pascual Orozco sung by Los Tremendos Gavilanes on YouTube:

> Listen in anytime to all the Marfa Mondays Podcasts

Greg Kaminsky interviews C.M. Mayo for Occult of Personality 

about Francisco I. Madero and His Secret Book

Book review by C.M. Mayo:

The Pecan: A History of America's Native Nut by James McWilliams

"Translating Across the Border"

Transcript of My Talk for the American Literary Translators Association Panel, 

"Translating the Other Side"

Marfa Mondays Podcast #13

Looking at Mexico in New Ways: An Interview with John Tutino

Two New Podcast Transcripts: #2 "Charles Angell in the Big Bend" and #3 "Mary Bones on the Lost Colony"

You can listen in to all my podcasts anytime, but I know some of you read at a faster clip than you can listen, so I've been posting the transcripts bit by bit. As of last night, new on the website are two more transcripts of Marfa Mondays podcast interviews, both of which provide excellent introduction to the topic at hand, adventure in the Big Bend and the "lost colony"-- of artists who came to this spectacularly scenic region well before Donald Judd.

Marfa Mondays #2 Charles Angell in the Big Bend

"I just love to be in the river. It's like the best seat in the house for the Big Bend, I think. You can see canyon walls. You see desert. You see riparian zones. There's more wildlife there than anywhere else, and even if it's a really, really hot summer day, you can stay cool." [READ MORE]

Listen now




Marfa Mondays #3 Mary Bones on the Lost Art Colony

"Julius Woeltz is my favorite... He was really known as a fine muralist. I think he painted well over 30 murals in his lifetime. He very much was influenced by Rivera and Orozco. He and his very good friend, Xavier González, spent many summers down in Mexico and Mexico City looking at the muralists..." [READ MORE]

Listen now


There will be more Marfa Mondays podcasts until there are 24. The latest, #17, is Under Sleeping Lion: Lonn Taylor in Fort Davis

Your comments are always welcome.

Marfa Mondays Podcast #17 Under Sleeping Lion: Lonn Taylor in Fort Davis

From the "secret historians" to the Propeller Man to the Filippino restaurant: you'll learn about a myriad unexpected people and stories of the Big Bend and Marfa, Texas in my interview with historian Lonn Taylor, the "Rambling Boy" columnist for the Big Bend Sentinel. Recorded in Fort Davis in March 2015.

> Listen in anytime right here.

> Read the transcript

"Everybody kind of has a stereotype of Marfa either as the cattle town where they filmed “Giant” or a contemporary art center. I like discovering things that don’t fit into that stereotype. "                                                                --Lonn Taylor

> Marfa Mondays home page with all 17 podcasts (of a projected 24)

> Your COMMENTS are always welcome, and you are also most welcome to sign up for my newsletter which goes out every other month-ish.

Cyberflanerie (from the Madam Mayo Blog)

Reposting from my main blog, Madam Mayo:

"THIS IS NOT ART"
AND, IN SMALL PRINT BELOW,
"DON'T MESS WITH TEXAS"
(Translation: No littering, dude.)

So who painted this oh-so-Texan trash receptacle with the Magritte-esque slogan for the Marfa Visitor's Center? A 4th of July cyber-sparkler to you, whoever you are, dear artiste. (At least it was plum-obvious where to deposit the bottles and snack wrappers that had been accumulating on the floor behind the front seat since El Paso.) The question for today's little foray into les mystères de l'art is, would I get arrested were I to spray pink sparkly foam paint all over it? Hard to say. The Marfa Vistor's Center is, after all, walking distance to El Cosmico, where you can rent the yurt and, round about when I was there, sign up for an herbal remedies class-- and I would not be at all surprised to catch some ukelele playing going on at one their "happenings." I mean, Marfans do seem whimsical or at least mind-your-own-business-relaxed when it comes to art-- or, this is not art qua art. 

"MANOS ARRIBA"
BIG BEND RANCH STATE PARK

But then-- Madam Mayo plucks a few bees out of her bouffant-- what is "art"? 

"Manos Arriba," or "Hands Up," pictured right, is an approximately 1,000- 2,000 year-old rock art site in the relatively nearby (by Far West Texas standards) Big Bend Ranch State Park. Never mind that hypothetical can of pink sparkly foam; you touch that rock art and the ranger sees you, boy howdy, you're in a poke of trouble. Carve your name and a date into the rock with your penknife? Seriously illegal. And if you did that back in, say, 1887? Well, you'd be dead by now so much as the ranger might like to, true, she couldn't do anything.

Voyez l'équation simple:

+ Really old man-made marks = Art. Approved response: From a reverent distance, take pictures.

vs.

+ Relatively recent marks, including those made as long ago as 1887 by nonindigenous people = Defacement. Approved response: Express dismay.

Bloggable Graffito, circa 2015
Ladies Room, Plaine coffee shop
Alpine, Texas

Not that I personally don't feel sincere reverence for rock art-- (and may my podcast interview with Greg Williams, executive director of the Rock Art Foundation, bolster my case). I am simply sayin'.

Voyez l'équation étonnante:

+ Writing on coffee shop bathroom wall that evidences childlike yet articulate whimsy referring to marine life = Bloggable.

vs.

+ Writing on coffee shop bathroom wall that evidences childlike and inarticulate whimsy referring to just about anything and everything else = Ick. 

Where does the hypothetical sparkly pink foam paint come in? I don't think it does. 

Once home in Mexico City I encountered this street art mural with a hand appearing to reach for a grape-purple grenade with feet:

Mexico City street art

I have absolutely no idea what it all means. The word BOMB to the left often appears in Mexico City graffiti, why I know not.

Madam Mayo pronounces this Very Fine Art.

On a more high-toned note, here is a small section I snapped of one of the murals by Víctor Cuaduro in the Government Palace of Querétaro, of the three monarchists executed on the Cerro de las Campanas in 1867, Maximilian and his generals Mejía and Miramón. If you were to apply anything from a spray can to that-- let's say you wanted to make a stencil of your hand, as in "Manos arriba"-- I'll bet you a million pesos that you would be speedily tackled by the several security guards.

P.S. Instant Art Critique Phrase Generator. I typed in 12345 and got:

With regard to the issue of content, the disjunctive perturbation of the spatial relationships brings within the realm of discourse the distinctive formal juxtapositions. 

+ + + + + + 

But seriously now...

The Lower Pecos Canyonlands have been much on my mind as I am writing a book about Far West Texas, and one of the many compare-and-contrast items from my previous book, Miraculous Air, about Mexico's Baja California peninsula, is the rock art. So far I've visited a multitude of sites in the Big Bend (most recently in the canyon that runs north-south alongside the western flank of the Solitario) plus the Lower Pecos Canyonlands sites at Meyers Spring and Eagle Nest Canyon at Langtry, which drains into the Rio Grande, that is, the US-Mexico border. And this May, just a scootch east of the Pecos, I plan to visit Curly Tail Panther. Did I mention, Lower Pecos Canyonlands rock art is spectacular?

Apropos of the Lower Pecos Canyonlands, a recent and delightful discovery is that my fellow Women Writing the West member Mary S. Black, an expert on the Lower Pecos, has published a novel, Peyote Fire: Shaman of the Canyon, about the Archaic artists-- to my knowledge, the first historical novel about these people. I'm looking forward to reading it, as well as her guidebook to the region which is in-progress.

> Listen in anytime to my interview with Greg Williams, executive director of the Rock Art Foundation, which offers tours to important but very remote rock art sites, many of which are on private land. 




> My brief video of the first part of the hike into Eagle Nest Canyon.



> Check out these photos of a storm in May 2014 with massive flooding in that same canyon-- it gives an idea of how the caves were formed.

> Your COMMENTS are always welcome. My newsletter goes out on Monday with new podcasts, articles, and upcoming workshops; I welcome you to automatically opt-in (and opt-out anytime) here.

Transcript Now Available for Marfa Mondays Podcast #16: "Tremendous Forms: Paul Chaplo on Finding Composition in the Landscape"

Marfa Mondays 16: "Tremendous Forms: Paul V. Chaplo on Findng Composition in the Landscape"  was posted as podcast (listen in anytime on podomatic or iTunes) back in January, but the transcript has just been posted here.

I'm aiming to post transcripts of all my podcast interviews, both the Marfa Mondays and Conversations with Other Writers (for the latter, so far, transcripts are available for Rose Mary Salum and Sergio Troncoso). Stay tuned for Marfa Mondays 17, an interview recorded in Fort Davis with Texas historian Lonn Taylor.

>Your COMMENTS are always welcome.

Marfa Mondays Podcast #14 Over Burro Mesa / The Kickapoo Ambassadors

Just posted #14 of a projected 24 podcasts for the Marfa Mondays Podcasting Project, Exploring Marfa, TX & the Big Bend: "Over Burro Mesa / The Kickapoo Ambassadors." 

> Listen in any time.

This podcast mentions Wilhelm Knechtel's book, Memorias del Jardinero de Maximiliano, translated by Susanne Igler. There's more about that on my other blog, the research blog on Mexico's French Intervention / Second Empire, "Maximilian-Carlota."

The next podcasts will be:
#15 an interview with rock art expert Greg Williams; and 
#16 an interview with photographer Paul Chaplo about his new book, Marfa Flights: Aerial Views of Big Bend Country. 

For updates, I invite you to subscribe to my newsletter.

P. S. Check out Chaplo's show at the Museum of the Big Bend until January 18, 2015.

Your COMMENTS are always welcome.

Lonn Taylor's Texas People, Texas Places

Ever since I first came upon Lonn Taylor's column for the Big Bend Sentinel, "The Rambling Boy," I've been a big fan. I devoured his collection of columns, Texas, My Texas: Musings of the Rambling Boy-- and added it to my list of top 10 books read in 2012. My mini-review:

"[T]his is far from the usual mashed potatoes newspaper fare.  Taylor is a wise and lyrical writer with a background as a professional historian and his mammoth love for Texas is infectious. This is a book to savor in a rocking chair on a hot day with a tall glass of spiked lemonade at your side. Get ready to howl with the one about the in-law aunts's oodles of poodles."

And lo, out of the blue (I don't think he knew I'd blogged about his book), Taylor writes to me that he wants to do a column about Agustín de Iturbide y Green, an historical figure he had known about since his days in Washington DC-- having found me via my webpage for my novel, The Last Prince of the Mexican Empire. I was happy to supply what I'd gleaned from my research, which included what I dug out of the archives in Iturbide y Green's personal archive in Catholic University, another archive in Georgetown University, the Iturbide collections in the Library of Congress, the Historical Society of Washington DC, and -- whew, yeah I did a heap of research-- Mexico City and Vienna (more about all thathere). I can count on one hand, with plenty of fingers leftover, the number of people who had even the basic outline of the story of Agustin de Iturbide y Green straight before I did; the published literature on Mexico's Second Empire is full of bizarre misunderstandings and mistakes and even some of his family members had some very strange ideas (for example, that Iturbide y Green had never married, but in fact, he had, in Washington DC in 1915, and happily). So! Now! Read Lonn Taylor's column, "The Royal Family of Mexico."

More Lonn Taylor news: his latest collection isTexas People, Texas Places: More Musings of the Rambling Boy, and I loved this one just as much as the first-- I devoured it, chuckling over every other page. Just to give an idea, this is the sort of thing that kept me laughing out loud-- from "The Jacksons of Blue and Other Texas Chairmakers":

"... most respectable people considered chairmakers somewhat marginal and looked down on them as not being totally respectable. This attitude probably originated in England, where chairmakers lived in the woods, close to their close materials, and did not farm or mix much with ordinary folk. In England chairmakers are called bodgers. Folklorist Geriant Jenkins once asked an informant where the word came from, and the answer was, "Because they be always bodgin' about in the woods."

Of special interest for me, since I am work on a book about Far West Texas, was his column "Albert Alvarez, Secret Historian," about a Mexican-American of Pecos, Texas. In Mexico, where every city and town seems to have one, Alvarez would be addressed with great respect as El crónista. In Texas as it is, alas, Spanish speaking historians and their contributions to Texas history remain marginalized. And that's something I'll be writing about, too.

More anon.

COMMENTS?


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Marfa, Texas, "Capital of Quirkiness," According to 60 Minutes

In a segment that aired on Sunday, "60 Minutes" calls Marfa, Texas "The Capital of Quirkiness." The sweetly artsy spirit of this remote small town of far West Texas was precisely what appealed to me when I first came across it more than a decade ago-- and what drew me to start writing a book and podcasting about it back in January 2012. But as I delved in, reading and traveling and interviewing a wide variety of artists, scientists, business people and others, I soon realized that there's a far larger, more complex story, or rather, stories, to tell about the Big Bend region. Start with the fact that the Spaniards called it the Despoblado (Empty Quarter), and on pre-20th century maps it appears only vaguely as "La Apachería..." It's one of the earth's "Thin Places," to steal an Irish term-- and with a frightening history, a starkly beautiful swirl of landscape, border country. . . Watch "The Three Burials of Melquiades Estrada" for an idea of what it looks like.

So far, of the projected 24, I've posted 11 podcasts about the region. A few favorites:

Cowboy Songs by Cowboys

A Visit to Swan House

Mary Baxter, Painting the Big Bend

We Have Seen the Lights

Charles Angell in the Big Bend

Listen in to all the podcasts anytime at www.cmmayo.com/marfa

Next podcast: an in-depth interview with Dallas Baxter, founder of Cenizo Journal.

Marfa, Marfa & More Marfa

Oh, this country has such beyond splendid skies! Apropos of my book-in-progress, World Waiting for a Dream: A Turn in Far West Texas, I recently returned from my latest journey through Marfa, Van Horn, Presidio, Terlingua, and the Big Bend National Park, and will be posting scads more "Marfa Mondays" podcasts...

Pending: an interview with Enrique Madrid of Redford; interview with Dallas Baxter, ex-editor of Cenizo Journal; a journey up Pinto Canyon Rd and another up Casa Piedra Rd (a branch of the old Comanche war path); a visit to Cíbolo Creek Ranch, a trek over Burro Mesa (ayyy, 3 hours each way, no shade) to Apache Canyon and a very remote arrowhead quarry; and a bit about the strange battle of Zapato Tuerto (Spanish vs Apaches); and (yep), "Cowboy Is a Verb."

Oh, and more about the glorious Chisos and Spanish painter Xavier González.

>Listen in to the latest podcast, A Visit to Swan House
>The archive of all the "Marfa Mondays" podcasts  is here. Listen in anytime.

From Pinto Canyon Rd
www.cmmayo.com

Lone Cloud, Paisano Hotel, Marfa
www.cmmayo.com

Pinto Canyon Rd
www.cmmayo.com

Chihuahuan Desert Nature Center, Fort Davis
www.cmmayo.com

>Listen to the podcast with Chihuahuan Desert pollinator expert, Cynthia McAlister

Waiting at the Marfa Lights Viewing Station
www.cmmayo.com

>Listen to the podcast "We Have Seen the Lights" about the Marfa Lights

Near the Cubes, Marfa
www.cmmayo.com

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A Review of Rubén Martínez's DESERT AMERICA

What is the West? That cross-borderly mashup of music, footwear and haberdashery known as “cowboy cool”? Or is it indigenous? The Big Empty, healing refuge, Hispano, Chicano, Mexicano? Or is it now found in the scrim of “underwater” water-sucking tract houses? What is this landscape, if not seen through millions of different eyes each with its own needs, lusts, filters and projections? And how is it changing? (Radically.) In Desert America Rubén Martínez tackles these immense and thorny questions in a narrative of multiple strands masterfully braided into a lyrical whole. . .  

CONTINUE reading C.M. Mayo's review in the Washington Independent Review of Books

"A Visit to Swan House" in Cenizo Journal

My article about adobe visionary Simone Swan's teaching house in Presidio, TX (on the US-Mexico border, about an hour's drive south of Marfa), "A Visit to Swan House," appears in the winter issue of Cenizo Journal. 

Download the complete issue as a PDF here.

Learn more and view photos of Swan House at www.adobealliance.org

UPDATE: A family emergency has knocked back my monthly podcasting schedule, but I will resume. There will be 24 podcasts and I have several interviews already recorded, so stay tuned.



>Get the newsletter for updates

>Listen in anytime to all Marfa Mondays podcasts



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Podcast #8 A Spell at Chinati Hot Springs

Elvis. The private art gallery. Lithium. And even better: no email.

Listen in to #8 in the 24 podcast series here.











==Comments off due to spam but your comments are always welcome via email==

Podcast #3 Mary Bones on the Lost Art Colony

Just posted: the third podcast in the Marfa Mondays Podcasting Project 2012-2013:

>> Click here to listen in

Yours Truly interviews Mary Bones, curator of the exhibit "The Lost Colony: Texas Regionalist Paintings," in theMuseum of the Big Bend, Sul Ross State University, Alpine, Texas. 

The Lost Colony refers to the summer art colony at Sul Ross which began in 1932 and ended somewhat mysteriously in 1950. Alpine is 30 minutes northeast of Marfa-- right next door. Of the region, as Michael Duty writes in the introduction to the exhibit's catalog, "It... has long called to artists who have been captivated by its natural beauty, its history, and its people. In recent times, the area has also drawn the attention of writers and reporters who have written numerous articles touting the area's prominence as something of a center, albeit a far flung one, for contemporary art. Those articles focus primarily on Marfa and the influence that minimalist sculptor Donald Judd has had on the town..." Later, Duty adds, that Judd "was certainly not the first artist to be so captivated". 

Mary Bones explains the inspiration for the exhibit, and shares the stories about and friendships of some of the painters, in particular Texan Julius Woeltz and his teacher Xavier González, a native of Spain, both of whom made trips to Mexico City to study the Mexican muralists, including Diego Rivera and José Clemente Orozco. 

Some of the other painters discussed are Mabel Vandiver, Anna Keener, Elizabeth Keefer, Coreen Mary Spellman, Harry Anthony De Young, Beatrice Cuming, Otis Dozier, William Lester, James Swann, Ethel Edwards, Alice Reynolds, and Juanita Montgomery. Several of these paintings can be seen in the article by Mary Bones, "The Lost Colony: Texas Regionalist Paintings - Rediscovering an Artistic Past," Cenizo Journal, 4th Quarter 2011.

>>Previous Marfa Mondays podcast: Charles Angell in the Big Bend.

>>For more Marfa Mondays podcasts, and to read about the project, please visit www.cmmayo.com/marfa

>Get the newsletter


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Podcast #1 Introduction and Welcome

Today, Monday, January 16, 2012 is the launch of the Marfa Mondays Podcasting Project: Exploring Marfa, Texas and Environs in 24 Podcasts, one per month through 2013. This project is lieu of (though maybe in addition to) writing magazine articles as I proceed with a book project the title of which... well, it's way too early to say much about that. Suffice it to say it will be a travel memoir about West Texas.

>>Listen in to today's podcast here.

The next Marfa Mondays podcast will go live on Monday February 20th. I am not sure yet but I expect it will be about Cabeza de Vaca's epic journey through the region in the 16th century. 

It's been an age since I did some travel writing. My book on Baja California, Miraculous Air, came out in (ayy!) 2002. Since then, I published a couple of long essays in literary journals, (The Essential Francisco Sosa or, Picadou's Mexico City and From Mexico to Miramar or, Across the Lake of Oblivion), but almost all my recent writing has been either blogging or fiction, e.g., The Last Prince of the Mexican Empire (2009), another novel in progress, and translations of work by Mexican writers Agustín Cadena, Álvaro Enrigue, and Francisco I. Madero. I am very much looking forward to doing more travel writing; apart from venturing into odd corners of the world, one of the things I love about it is the chance to interview people.

Follow the Marfa Mondays Podcasts on twitter @marfamondays or sign up for my free newsletter.

==Comments off due to spam but your comments are always welcome via email==

About the Trailer, "Where the Buffalo Is Marfa?"

So, who are all these wacky people in my "Where the Buffalo is Marfa?" trailer for the Marfa Mondays Podcasting Project: Exploring Marfa, Texas & Environs in 24 Podcasts? I have no idea. The clips and photos are all "gigs" from www.fiverr.com-- check out their profiles and many other gigs, all @ USD $5 each. All of these fiverr.com sellers were prompt and professional, and I can recommend them warmly. You can check out their gigs, their ratings-- and if you like one (maybe for a holiday greeting --or your own wacky trailer?), just hit the PayPal button.

Herewith, with my thanks, the cast:

Accordion player: squeezeboxhero

(Australian?) dude reading message and then smacking to wall: coreworkouts

American guy yelling "Marfa!" in a rant-like way: mel864

Plastic bag man: robertocarlos

Redneck character in blue sunglasses: johnwright238

Zombie: kristylynn

Psycho Welshman: facebook_poster

British banana: bethan

Peapod dancer: haleylujah

Funky dancer in brown shorts: coreworkouts (again)

Accordion guy (again): squeezeboxhero

Girl in elephant mask and Marfa sign: reticent

Guy in fur hat with Marfa sign: newsfromstreet

Swimmer with Marfa sign: rubikart

OK, what is truly mind-warping is that I don't know their real names and I don't know where they live nor where they filmed any of these. And these previously impossible, even unthinkable, digital juxtapositions interest me as something to explore in the book I'm about to start writing. When I did my last travel book, Miraculous Air, about Mexico's Baja California peninsula, in the late 1990s, almost no one (outside of a very few people in Tijuana, Ensenada and Los Cabos) was on-line and it was quite the novelty that a telephone or two had arrived in some villages. Now, looking at Marfa, Texas and environs (Alpine, Fort Davis, Valentine, Marathon, and the Big Bend), I find restaurants tweeting their breakfast menus and the local lamp shop on Youtube. I've yet to do a podcast-- the project starts in January-- but I'm already following a small community of West Texas tweeters, and you can follow me @marfamondays.

---> Read about the Marfa Mondays Project