Notes on Xavier González & etc.

Podcast 21 is (ayyyy) still in-progress. Meanwhile, a note from my other blog, Madam Mayo:

Notes on Xavier González (1989-1993), "Moonlight Over the Chisos" and My Visit to Mexico City's Antigua Academia de San Carlos, the Oldest Art School in the Americas

It was in 2012, when I first started on my still in-progress book about Far West Texas, that I first encountered the paintings of Xavier González in the Museum of the Big Bend on the Sul Ross University Campus in Alpine, Texas. I was there to see "The Lost Colony," an exhibition  of works by painters associated with the summer Art Colony of the Sul Ross College (now Sul Ross State University). The works were from 1921-1950; the Art Colony, formally so-called, spanned the years 1932-1950. >>>CONTINUE READING

Podcast #3 Mary Bones on the Lost Art Colony

Podcast #4 Avram Dumitrescu, an Artist in Alpine

Podcast #9 Mary Baxter, Painting the Big Bend

Two New Podcast Transcripts: #2 "Charles Angell in the Big Bend" and #3 "Mary Bones on the Lost Colony"

You can listen in to all my podcasts anytime, but I know some of you read at a faster clip than you can listen, so I've been posting the transcripts bit by bit. As of last night, new on the website are two more transcripts of Marfa Mondays podcast interviews, both of which provide excellent introduction to the topic at hand, adventure in the Big Bend and the "lost colony"-- of artists who came to this spectacularly scenic region well before Donald Judd.

Marfa Mondays #2 Charles Angell in the Big Bend

"I just love to be in the river. It's like the best seat in the house for the Big Bend, I think. You can see canyon walls. You see desert. You see riparian zones. There's more wildlife there than anywhere else, and even if it's a really, really hot summer day, you can stay cool." [READ MORE]

Listen now




Marfa Mondays #3 Mary Bones on the Lost Art Colony

"Julius Woeltz is my favorite... He was really known as a fine muralist. I think he painted well over 30 murals in his lifetime. He very much was influenced by Rivera and Orozco. He and his very good friend, Xavier González, spent many summers down in Mexico and Mexico City looking at the muralists..." [READ MORE]

Listen now


There will be more Marfa Mondays podcasts until there are 24. The latest, #17, is Under Sleeping Lion: Lonn Taylor in Fort Davis

Your comments are always welcome.

Avram Dumitrescu, An Artist in Alpine (The Transcript of Marfa Mondays Podcast #4 Now Available)

Transcript now available for 
ye olde podcast #4
Avram Dumitrescu, 
an Artist in Alpine

The Marfa Mondays Podcasting Project proceeds.... as those of you who follow this blog well know, the most recent of the projected 24 podcasts is #17, an interview with Texas historian Lonn Taylor in Fort Davis. 

Meanwhile, I've been working my way back to the beginning, posting transcripts of 17, 16, 15, 14, 13, 12, 11, 10, 9, 8, 7, 6, 5, and now... drumroll.... 4, Avram Dumitrescu, an Artist in Alpine. About his chicken portraits, Dumitrescu says:

"When we moved to Alpine, our landlords had about 30 chickens. Patty and Cindy, they're on the west edge of town...that's where I had my first experience being around chickens, because until then it was just stuff I'd eat. They're basically mini-dinosaurs. Every time I go in, I'm always worried if I fall, and they start pecking me to death like in some horror movie... because they see red, they run to it and attack it. They're very interesting characters, and I think what really made me laugh was Patty and Cindy had named them after characters from "The Sopranos." 


+ Read the complete transcript of this podcast or, better yet, listen in to "Avram Dumitrescu, an Artist in Alpine" (on either podomatic or iTunes, both free).

+ All Marfa Mondays Podcasts (and most transcripts)

+ Your comments are always welcome. The newsletter will go out soon; to opt-in, click here.

New Transcript Just Posted for Marfa Mondays #7 "We Have Seen the Lights: The Marfa Ghost Lights Phenomenon"

The Marfa Mondays Podcasting Project proceeds and, yes, I am writing the book, World Waiting for a Dream: A Turn in Far West Texas. 

Last week, podcast #17, an interview with historian Lonn Taylor, went live, and over the past few days I've uploaded several transcripts of older podcasts, including that of podcast #7, "We Have Seen the Lights," about the Marfa Ghost Lights. 

Herewith an excerpt:

FROM THE TRANSCRIPT OF PODCAST #7

"WE HAVE SEEN THE LIGHTS"

When I first visited Marfa in the late 1990s, I made an arrow for the Marfa Lights viewing area, a pullout on the highway between Marfa and the neighboring town of Alpine. About 9 miles out of Marfa, it was just a parking area with, as I recall, a couple of sun-bleached picnic tables. There was an RV parked to one the side and standing on top of one of the picnic tables, a burly man in shorts and a T-shirt, his knees bent like a quarterback about to grab the football. There was no one else there. It was still light out, though the sky had paled and beyond the expanse of Mitchell Flat, the mountains to the south, the Chinatis, loomed a dusky purple. I don't recall that man turning to look at me, but he must have heard my car pull up behind him, for as I opened the door, he pointed toward the mountains and began to shout:

"OH MY GOD... OH MY GOD... OH …. MY… GOD!"

As I set my shoe on the dirt, I saw that it was surrounded by a scattering of something silvery: quarters. I have found many a penny on the sidewalk, and few dimes over the years, but this was several dollars worth of quarters. I gathered them up.

"OH MY GOD!" The man was bellowing. "OH MY GOD!!!"

I would have thought him barking mad except that, I too saw the lights and they were unlike anything I had ever seen.  

[...CONTINUE READING... includes interviews with residents...]

> Listen to the podcast

> Listen to all the Marfa Mondays podcasts

> Your comments are always welcome, and for updates you are very welcome to sign up for my free every-other-monthly-ish newsletter. 

Another Transcript Now Available: Marfa Mondays Podcast #11 Cowboy Songs By Cowboys and an Interview with Michael Stevens

Reposting from my main blog, Madam Mayo:

Still working on the edits for Marfa Mondays Podcast #17, an interview with Texas historian Lonn Taylor; meanwhile, still churning out the transcripts. Available to date:

#16 Tremendous Forms: Paul Chaplo on Finding Composition in the Landscape

#15 Gifts of the Ancient Ones: Greg Williams on the Rock Art of the Lower Pecos Canyonlands

#14 Over Burro Mesa (not a transcript but an article)

#13 Looking at Mexico in New Ways: An Interview with Historian John Tutino

#12 Dallas Baxter: "This Precious Place"

and as of today... drumroll...

#11 Cowboy Songs By Cowboys
and an Interview with Michael Stevens

[Note: If you want to hear the songs, which I highly recommend, it would be a far sight better to listen to the podcast.] 

Excerpt:

C. M. Mayo: We're going to hear some more music in this podcast, but I want to go back for a moment to put all this into some context by sharing with you some of my interview with Michael Stevens, which was recorded in one of the lounges at Sul Ross State University's University Center just before the show. Michael Stevens is the one you heard first in this podcast singing about the Old Double Diamond. My first question was, how did this all get started?

Michael Stevens: Well, it started out as just cowboys getting together. And when it really would happen in the old days, it was just people heard about these guys who get together and talk and BS and tell stories and, you know, that's all they had. It's an oral tradition of just like, seamen. And there is a Fisher Poets Society in Oregon/Washington, somewhere up there. I've forgotten where it is. It's around Siskiyou Pass I think. But it happens right about now. Of course, they did it before we did. The ships were out there long before the cowboys were here and they told stories and sang songs. A lot of those songs and old Scottish and Irish ballads got turned into cowboy songs when the people came over here. Instead of singing about whales in the ocean, or whatever they did, they took that melody— and I believe "Streets of Laredo" is "The Bard of Armagh" or something like that— so it was some old melody that they just changed the words to. They weren't musicians particularly. A lot of times they didn't carry instruments, so a lot of it you'll hear a cappella, a lot of what those guys had—or they took an instrument out and it fell apart. Banjos seemed to last longer than guitars and things like that.

So it's a real old tradition of telling stories and it gets moved to the next person because a lot of those people didn't write, and so what the cowboys picked up on and started and then, at some point a few people, John Lomax and his son, they started recording these songs. Well, there were people before that even that were some of the cowboys that were starting to collect the songs.

The first gathering of this type that I know of was Elko, Nevada. They'd created a folklore center. I never studied the history of that either. If you could get ahold of Joel Nelson he might fill you in a little bit more but you can Google all that. About '85, well, Joel Nelson and his wife at the time, Barney Nelson, who's a teacher here in Ryder, got some really neat books out, they went. They heard about it. Joel's always been into poetry. He reads Robert Service. He reads Pushkin. You know, name it. If he sits down and does "The Road Not Taken" by Robert Frost with a big mustache and a cowboy hat you think it's the best cowboy poem you ever heard and then he says "Robert Frost" and you can see people go, Oh, that's why it seemed familiar to me! Because it's kind of what cowboys do. You know, they go the other way. If they want to make a lot of money they wouldn't be a cowboy.

So they came back here the next year after Elko and started a little gathering here and I wasn't here at the time. I was in Austin building guitars, but I'd gone from a horse ranch in McKinney to Austin and been in and out of the horse business since I was a little kid.

When I came down here [Alpine], my wife wanted to live here and she was not living anywhere else, and I heard about it. And then a friend of a friend, a girl we'd known in college had married Warren Burnett, the trial lawyer from Odessa and then I met Warren and he one day said— I hadn't gone to the gathering—he said, "You should go meet Buck Ramsey. He's my friend. He's the guy in a wheelchair and if anybody gives you any trouble…" Well, Warren says, "Anybody gives you any shit you tell them," because that's the way Warren was. I don't know if you know anything about Warren. Anyways, so I met Buck Ramsey and played music. Well, it turned out I knew a couple cowboy songs, and I didn't even know they were cowboy songs because I'd been in Berkeley since 1967 and played a lot of music and country music.

C.M. Mayo: Out in California?

Michael Stevens: Yeah. When I hit there I left Fort Worth in '67 and got there in November of '67. I had a cowboy outfit with bell bottoms, embroidered shirts and long hair and they called me The Sheriff. And we played country music. Cody was there. We played the same kind of venues as Commander Cody. Then they said you won't believe who's coming from [??] asleep at the wheel, so I was out there. Then I learned a bunch of folk songs hanging around the Freight and Salvage and those things. Well, it turns out a bunch of them were cowboy songs, and I'd heard a lot of Jack Elliot and all that, well, there's a bunch of cowboy songs stuck in there.

So I got down here and somehow after meeting Buck and playing... So they said, we need some more performers. Would you come and we'll stick you in a session and sing a few songs? And I went, Hey, I like this.

C.M. Mayo: What year was that?

Michael Stevens: That would be about '93 or '94.

C.M. Mayo: You've been coming back every year since?

Michael Stevens: Well, I live here.

C.M. Mayo: So you've come to all the Cowboy Poetry Gatherings?

Michael Stevens: Well, I was on the committee for 16 years and of the 16 years I think I was vice president about three and president for seven, at least. I just retired from the 25th year. This is my first year as a performer as a civilian.

[TRANSITION MUSIC]

C.M. Mayo [to listeners]: A little further into the interview Michael Stevens talked about after Berkeley, how he came back to Texas. But then you're going to hear him backtrack and talk some more about his time in Berkeley at the Freight and Salvage. That was, and is, the hub of the folk music scene.

[CONTINUE READING...]

Podcast #4 Avram Dumitrescu, an Artist in Alpine

The monthly Marfa Mondays podcast is live: an interview with Avram Dumitrescu, an artist whose paintings have been featured in "Marfans: Art from the Plateau" at the Nancy Fyfe Cardozier Gallery in Odessa, and also showcased in Cenizo Journal. A native of the Channel Islands and raised in Belfast, Dumitrescu earned a bachelor's degree and Masters in Applied Arts from the University of Ulster at Belfast. He is married to journalist Megan Wilde. For more about Dumitrescu, and to view his portfolio, visit www.onlineavram.com. 

Recorded in late January 2012. (About 36 minutes)

>Click here to listen in.

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Podcast #3 Mary Bones on the Lost Art Colony

Just posted: the third podcast in the Marfa Mondays Podcasting Project 2012-2013:

>> Click here to listen in

Yours Truly interviews Mary Bones, curator of the exhibit "The Lost Colony: Texas Regionalist Paintings," in theMuseum of the Big Bend, Sul Ross State University, Alpine, Texas. 

The Lost Colony refers to the summer art colony at Sul Ross which began in 1932 and ended somewhat mysteriously in 1950. Alpine is 30 minutes northeast of Marfa-- right next door. Of the region, as Michael Duty writes in the introduction to the exhibit's catalog, "It... has long called to artists who have been captivated by its natural beauty, its history, and its people. In recent times, the area has also drawn the attention of writers and reporters who have written numerous articles touting the area's prominence as something of a center, albeit a far flung one, for contemporary art. Those articles focus primarily on Marfa and the influence that minimalist sculptor Donald Judd has had on the town..." Later, Duty adds, that Judd "was certainly not the first artist to be so captivated". 

Mary Bones explains the inspiration for the exhibit, and shares the stories about and friendships of some of the painters, in particular Texan Julius Woeltz and his teacher Xavier González, a native of Spain, both of whom made trips to Mexico City to study the Mexican muralists, including Diego Rivera and José Clemente Orozco. 

Some of the other painters discussed are Mabel Vandiver, Anna Keener, Elizabeth Keefer, Coreen Mary Spellman, Harry Anthony De Young, Beatrice Cuming, Otis Dozier, William Lester, James Swann, Ethel Edwards, Alice Reynolds, and Juanita Montgomery. Several of these paintings can be seen in the article by Mary Bones, "The Lost Colony: Texas Regionalist Paintings - Rediscovering an Artistic Past," Cenizo Journal, 4th Quarter 2011.

>>Previous Marfa Mondays podcast: Charles Angell in the Big Bend.

>>For more Marfa Mondays podcasts, and to read about the project, please visit www.cmmayo.com/marfa

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